‘Findings on Palpation’
2 channel video

Resulting from the shared research of Johann Arens and Dr. Alejandro Granados, the film debates the relevance of tactility and contact-based simulation tools and the implications for the plasticity of sculpture as well as human anatomy. The point of departure is the simple observation that both, medical training practice and experientially driven art are conditioned by a shared frustration; the limitation of touch.

The film features two haptic simulation systems; one constructed to allow medics in training to gain experience in patient examination and palpation, the other connecting an historical sculpture to a virtual environment with changed surface resistivity parameters. The increasing relevance of touch-based interfaces for our social environment calls for a critical engagement. The exhibition gauges the significance of computed simulation for cultural artefacts and the intimacy of the audience. What can a heightened awareness of tactility and palpation offer to the principles of contemporary medicine and personalised experience of sculpture?

Link to a onsite presentation at P////AKT June 2018

The film project was supported by SPACE Art+Technology Residency Program, Centre for Engagement and Simulation Science, Imperial College London, EPSRC London Deanery and Health Education North West London.